Sound Culture Studies and Modernity in Asia Conference.

Organised by the Asian Sound Cultures and Modernity Project at Tokyo University of Foreign Studies.



Date: 14- 15 September 2018

Tokyo University of Foreign Studies



In Asia, as elsewhere, the political, social, cultural and technological

changes wrought by modernity gave rise to an onslaught to the senses

that is most often explained through reference to visual, material

culture. Emotional, ephemeral and subjective, rather than concrete,

empirical and scientific, the role of sound is constantly undermined by

the primacy attributed to the visual as objective, rational and,

ultimately, modern. The aim of this interdisciplinary conference is to

examine sound in the process of modernity in Asia as an essential aspect

of global cultural, social, political and technological change.



The recent turn toward the history of the senses has encouraged scholars

to examine the historical transformation of sound, and the usefulness of

this aural approach to social and cultural history has been forcefully

examined from varying perspectives. As archives begin to digitize

everything that has ever been published, noted, photographed, carved,

stamped or painted, the problem of sound as a historical resource is

finally beginning to be addressed. Yet, the study of sound in the

process of modernity remains very much restricted to comparisons between

Western countries. To the extent that it has assumed a transnational or

global perspective it is within the universalism of a western discourse

of modernity.



How does attention to modern sound in Asia help us as academics

understand the region within a global perspective? What can sound tell

us about the ambiguous nature of the experience of modernity in Asia?

The conference also seeks to address the wider interdisciplinary

theoretical questions of sources, methodologies and approaches in the

study of sound cultures. It will also question the ways in which 'modern

sound' transformed individual, communal, social and national

subjectivities, made clear political and social cleavages and brought

new forms of social, cultural and political control. This conference,

therefore, is an invitation to rethink and re-examine the ways in which

processes of modernity in Asia were experienced through sound.



Some questions that could be addressed, but the conference is not

limited to:


- How do we 'read' sound as academics?


- What is modern sound?


- How did the process of modernity alter the soundscapes of Asia?


- Along what social or cultural lines do cracks appear in any consensus

over the nature of modern sound?


- In what ways did sound structure urban space?


- How is sound recorded in literature and other media?


-How does sound affect relations of class, gender, and ethnicity?



Please note: The conference will lead to publication of a journal special issue. For that reason, we encourage papers that have not been previously published and are not intended or under consideration for publication elsewhere.



Please send a title and an abstract of ca 300 words to:

asiansoundcultures@gmail.com <mailto:asiansoundcultures@gmail.com> <mailto:asiansoundcultures@gmail.com <mailto:asiansoundcultures@gmail.com>>


By: July 16th 2018.



Conference organizers;

Dr Martyn Smith, SOAS, (visiting researcher at TUFS)

Dr Iris Haukamp, TUFS